Benny Kubelsky was born in Chicago, Illinois, on February 14, 1894. He grew up in Waukegan, Illinois, and would later become Jack Benny. As a young boy, he was encouraged by his Jewish immigrant parents from Poland to achieve respectability as a violinist. He showed enough talent to hit the vaudeville stage, where he played popular songs, adopted a suave-but-fragile personality, and told self-deprecating jokes
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Lum and Abner, an American radio comedy which aired as a network program from 1932 to 1954, became an American institution in its low-keyed, arch rural wit. One of a series of 15-minute serial comedies that dotted American radio at its height as America’s number one home entertainmentâothers included Amos ‘n’ Andy, Easy Aces, The Goldbergs, and Vic and SadeâLum and Abner included various elements of each but yielded something as singular as the others and became somewhat more of an institution
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buy your 50 mp3 old time radio shows, 5.00 includes shipping go to http://www.radioamerica.biz Big-nosed and boisterous, Durante was a vaudeville favorite who remained a hit in the early days of radio and TV. Originally a saloon piano player, he combined his ragged musical talents with a rumpled charm and endless jokes about his nose, a mighty instrument which earned him the nickname Schnozzola or just the Schnoz. The 1935 stage musical Jumbo paired Durante with an elephant and boosted his career; he was a popular guest on the radio shows of stars like Bob Hope and Bing Crosby, and eventually hosted his own shows as well. Durante’s dese-and-dose New York accent was much parodied by impressionists of the day. He had a musical hit with the novelty tune Inka Dinka Doo and his famous sign-off phrase was Goodnight, Mrs. Calabash, wherever you are.
Archibald Alec Leach was born in Horfield, Bristol, England in 1904. He attended Bishop Road Primary School. An only child, he had a confused and unhappy childhood. His mother Elsie (who had apparently never overcome her depression after the death of a previous child in infancy), was placed by his father in a mental institution when Archie was ten. His father (who had a son with another woman) told him that she had gone away on a “long holiday”, and it was only in his thirties that he found out she was still alive, and institutionalized.
After being expelled from Fairfield Grammar School in Bristol in 1918, he joined the “Bob Pender stage troupe and travelled with the group to the United States in 1920 for a two-year tour. When the troupe returned to England, he decided to stay in the U.S. and continue his stage career. Still as Archie Leach, he performed on the stage at The Muny in St. Louis, Missouri, in such shows as Irene (1931); Music in May (1931); Nina Rosa (1931); Rio Rita (1931); Street Singer (1931); The Three Musketeers (1931); and Wonderful Night (1931).
Over time, he created a unique accent and persona that mixed working and upper class accents, while supporting himself as a hawker and a male escort for socialites.
Cary made appearances on several radio shows, but did many performances on The Lux Radio Theatre. This was sponsored by Lever Brothers, and Cecil B. DeMille directed many of the broadcast.
Dick Tracy had a long run on radio, from 1934 weekdays on NBC& New England stations to the ABC network in 1948. Bob Burlen was the first radio Tracy in 1934, and others heard in the role during the 1930s and 1940s were Barry Thompson, Ned Wever and Matt Crowley. The early shows all had 15-minute episodes. On CBS, with Sterling Products as sponsor, the serial aired four times a week from February 4, 1935 to July 11, 1935, moving to Mutual from September 30, 1935 to March 24, 1937 with Bill McClintock doing the sound effects. NBC’s weekday afternoon run from January 3, 1938 to April 28, 1939 had sound effects by Keene Crockett and was sponsored by Quaker Oats, which brought Dick Tracy into primetime (Saturdays at 7pm and, briefly, Mondays at 8pm) with 30-minute episodes from April 29, 1939 to September 30, 1939. The series returned to 15-minute episodes on the ABC Blue Network from March 15, 1943 to July 16, 1948, sponsored by Tootsie Rolls, which used the music theme of “Toot Toot, Tootsie” for its 30-minute Saturday ABC series from October 6, 1945 to June 1, 1946. Sound effects on ABC were supplied by Walt McDonough and Al Finelli. enjoy those otr
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The character created by Jerry Siegel and Joe Shuster arrived on radio not long after the comic book and took on an added dimension with Bud Collyer in the title role. During World War II and the post-war years, the juvenile adventure radio serial, sponsored by Kellogg’s Pep, was a huge success, with many listeners following the quest for “truth, justice and the American way” in the daily radio broadcasts, the comic book stories and the newspaper comic strip.
Because Superman’s true identity was a secret, it is often believed that the identity of radio actor Collyer also remained a secret. But while it is true that Collyer was left off the program’s credits, as early as September 14, 1942 Time ran an article identifying the actor and joshing him for his many Sunday school fans. In 1946, Collyer’s name was finally added to the radio credits.
Since there were no reruns at that time, the series often used plot devices and plot twists to allow Collyer to have vacation time. Kryptonite was the most famous of these, allowing Superman to be incapacitated and incoherent with pain while secondary characters took the focus instead. At other times, Batman and Robin appeared in Superman’s absence.
The scripts by B.P. Freeman and Jack Johnstone were directed by Robert and Jessica Maxwell, George Lowther, Allen Ducovny and Mitchell Grayson. Sound effects were created by Jack Keane, Al Binnie, Keene Crockett and John Glennon
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